When does Cabaret take place at D'haus?

The performance starts on July 8, 2026, at 19:30 and is expected to end around 22:30.

Where is Cabaret being performed?

At the Schauspielhaus of D'haus, in the Große Haus at Gustaf-Gründgens-Platz 1 in Düsseldorf.

How much are the tickets?

The official schedule lists price tiers from €7.50 to €54.00.

Is the venue accessible?

Yes, the Schauspielhaus offers accessible entrances, elevators, accessible restrooms, and support through the visitor service.

Is there food available on site?

Yes, the Schauspielhaus offers refreshments in Schillings foyer with drinks and snacks before the performance and during the intermission.

How long does the evening last?

The indicated performance length is around three hours including atmosphere and musical drama.

Düsseldorf sparkles, sings, and dives: Cabaret ignites a musical fire at D'haus

Name: Cabaret in Düsseldorf: Musical Classic at D'haus
Start: 2026-07-08T21:30:00+02:00
End: 2026-07-09T00:30:00+02:00
Location: Schauspielhaus, Großes Haus

Cabaret at D'haus: When Berlin sparkles and burns again in 1929

With Cabaret, the Düsseldorf Schauspielhaus brings a musical classic to the stage that seduces, entices, and ultimately chills you to the bone. On July 8, 2026, the Große Haus will become a place for jazz rhythms, revue glamour, and bitter historical shadows.

Glamour, goosebumps, and precise timing

The staging by André Kaczmarczyk focuses on the grand gesture of musicals: precise timing, strong stage presence, and an ensemble that oscillates between lasciviousness, wit, and political sharpness. Those who love musicals won't find harmless nostalgia here, but an intense laughing experience with a biting edge.

Berlin as a stage for longing and downfall

The story plunges deep into the vibrant Berlin of the late twenties. In the Kit Kat Club, nightlife meets abyss, Sally Bowles meets Cliff Bradshaw, pleasure meets insecurity. This very mixture is what makes the evening appealing: great songs, colorful characters, and an audience reaction that oscillates between wonder and quiet contemplation.

Music, revue, and the famous pull of the play

John Kander's music, Joe Masteroff's book, and Fred Ebb's songs deliver the sound of an era that dances in ecstasy while losing its footing. The D'haus emphasizes this contrast with a clear performance style and an atmosphere that first shines and then scrapes. Thus, theater is created that entertains and remains uncomfortable at the same time.

Who particularly benefits from the evening

Cabaret appeals to musical fans, theater lovers, and anyone who appreciates strong characters, precise punchlines, and a dense comedic atmosphere with political undertones. Those who experience the evening live receive more than nostalgia: a stylishly charged stage event with heart, conviction, and proper pace.

Conclusion: In Düsseldorf, an evening awaits between shine, abyss, and great stage art. Cabaret should not only be seen but felt in the hall.