When does the performance take place?

The performance takes place on 01.10.2026 at 8:00 PM at FFT Düsseldorf.

What is the ticket price?

The ticket price ranges from 12 to 30 Euros per ticket according to research.

Where is the production taking place?

The venue is FFT Düsseldorf, Stage I, at Konrad-Adenauer-Platz 1 in 40210 Düsseldorf.

Is the piece more classic theater or performance?

It is a performance with a choreographic approach that works between social practice test and installation experiment.

Are there any indications for arrival and accessibility?

FFT is located near the Düsseldorf main train station. There are parking options nearby and information on accessibility on the website of the venue.

Is there an intermission?

There is no confirmed information available regarding a break according to the sources found.

Mass in C Minor unfolds a dangerously fascinating group experiment at FFT Düsseldorf

Name: Spaniol / Nardi: Mass in C Minor
Start: 2026-10-01T22:00:00+02:00
End: 2026-10-01T22:00:00+02:00
Location: FFT Düsseldorf

An evening between power, mass, and musical tension at FFT Düsseldorf

With Spaniol / Nardi: Mass in C Minor, a performance is announced at FFT Düsseldorf that understands theater as a laboratory: a place of observation, seduction, and the question of how easily people can be drawn into a common framework. The choreography duo Kathrin Spaniol and Morgan Nardi develop a performative experiment in which the audience and stage do not remain sharply separated but encounter each other in a sensitive play of resonance and control.

Between ritual and social practice test

The description of the work already suggests how precisely theatrical means are employed here. Mass in C Minor moves between social practice test and installation experiment. This creates a stage experience that relies less on linear action and more on friction, group dynamics, and attention. Those seeking a theater atmosphere that does not soothe but rather questions will find an evening with a distinct artistic edge.

When the group becomes the actual protagonist

The production poses a central question: What happens when people begin to orient themselves to a voice, a gesture, a will? It is precisely from this that the staging draws its tension. The dramaturgy seems to be based on shifts, on subtle power changes, on moments of seduction, and on that quiet restlessness that arises when collective behavior becomes visible. This makes the performance an evening about authority, attraction, and the fragile order of groups.

FFT Düsseldorf as a fitting resonance space

The venue amplifies this impression. FFT Düsseldorf at KAP1 has stood for free forms between theater, performance, dance, and music for years. Stage I provides the right framework for a production that works with closeness, lines of sight, and shared perception. Additionally, the conveniently accessible location at the main train station and the opportunity to visit the bar at FFT, which opens an hour before the performance, add to the appeal.

An evening for an audience with curiosity about contemporary theater

Mass in C Minor does not promise feel-good theater but rather a precisely researched performance with contemporary relevance. Those who engage in an evening that makes social mechanisms visible and reflects on one's role in the collective will experience free theater with high tension and clever setup. This piece demands attention but rewards it with an intense look at the mechanics of leadership and followership. A visit is worthwhile for all who want to not just see theater but think along.