The brush was not the point at Meierbach: Experience Painting Anew in Düsseldorf


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Painting as an Attitude: The brush was not the point in Düsseldorf
With The brush was not the point, Meierbach presents an exhibition in Düsseldorf that brings together seven artistic positions from more than five decades. The presentation puts post-war and contemporary art into a dynamic dialogue and opens the view on those questions that continue to shape painting today: figure, abstraction, trace, gesture, and pictorial space. ([kulturportal-duesseldorf.de](https://www.kulturportal-duesseldorf.de/attraktionen/meierbach-aee923efc8))
An Art Experience Between Gesture and Idea
The title sets the tone for a viewing of works where the tool is not the focus, but rather the artistic decision. Especially in an exhibition that thinks about painting over decades, an atmosphere of aesthetic experience unfolds: lines condense, surfaces appear concentrated, pictorial spaces gain depth. The show brings together different handwriting and makes visible how strongly pictorial language has renewed itself in the post-war period and in the present. ([mutualart.com](https://www.mutualart.com/Exhibition/The-Power-of-Painting/250C0EE49C5A928F))
Curatorial Context and Artistic Positions
Meierbach operates as an exhibition platform for post-war and contemporary art under the direction of David Achenbach and cooperates with selected artists, galleries, and independent curators. For this presentation, at least three central names can be confirmed: Georg Baselitz, Per Kirkeby, and A. R. Penck. Thus, the exhibition stands in a historically relevant line between expressive figuration, intellectualized abstraction, and a painting that consistently asserts itself against pure decoration. ([kulturportal-duesseldorf.de](https://www.kulturportal-duesseldorf.de/attraktionen/meierbach-aee923efc8))
An Exhibition with Contemporary Relevance
The announced participation of Gina Kuschke also points to the openness of the program: her education at the Royal College of Art and at the Courtauld Institute, exhibitions in London, as well as nominations and residencies mark a young position that connects contemporary painting with cultural memory, movement, and material awareness. This connection of generations gives the exhibition its appeal and makes the visit especially rewarding for art-interested guests. ([ginakuschke.com](https://www.ginakuschke.com/))
Location, Access, and Exhibition Atmosphere
Meierbach is located at Schwanenmarkt 14 in 40213 Düsseldorf. The place stands for a focused, gallery-like exhibition atmosphere where the closeness to the works sharpens the view and slows down perception. This creates an intense art experience, especially for an exhibition that spans over five decades of artistic development. ([kulturportal-duesseldorf.de](https://www.kulturportal-duesseldorf.de/attraktionen/meierbach-aee923efc8))
Conclusion
The brush was not the point promises a demanding encounter with painting as a form of thought, as a language of images, and as cultural memory. Those seeking an exhibition in Düsseldorf that combines art-historical depth with contemporary relevance should experience this presentation live. It shows how lively post-war and contemporary art can become in direct work comparison. ([mutualart.com](https://www.mutualart.com/Exhibition/The-Power-of-Painting/250C0EE49C5A928F))
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