How long does the exhibition visit last?

For a concentrated observation of the works, about 30 to 60 minutes should be planned.

Where is the exhibition taking place?

The exhibition runs at VAN HORN at Ackerstraße 99, 40233 Düsseldorf.

Is the exhibition barrier-free accessible?

No secure information is available in the verified sources. Information to follow.

Are there official opening hours?

VAN HORN states visits by appointment daily as well as Thursdays and Fridays from 1 PM to 6 PM and Saturdays from 12 PM to 4 PM.

What is the admission price?

No ticket price was mentioned in the verified sources. Information to follow.

What is the exhibition about?

The focus is on material, memory, and transformation. Both artists work with existing materials, signs, and spatial shifts.

Something Old, Something New, Something Borrowed

Name: Pip Culbert and Gerhard Hoehme: Something Old, Something New, Something Borrowed
Start: 2026-10-30T14:00:00+01:00
End: 2026-10-30T14:00:00+01:00
Location: VAN HORN

A Clever Art Experience Between Memory and Renewal

With Something Old, Something New, Something Borrowed, VAN HORN in Düsseldorf opens an exhibition that radically transforms the familiar into something uniquely personal. Pip Culbert and Gerhard Hoehme meet here for the first time in a joint presentation. Both artists work with found materials, traces, fragments, and shifts. The old does not become a mere quote, but a new aesthetic experience.

Material as a Memory Space

Pip Culbert, born in 1938 in Newcastle upon Tyne and trained at the Royal College of Art, is known for her poetic reduction of everyday textiles. Shirts, bags, tents, or fabrics become lines, contours, and silent pictorial signs in her works. The objects lose their function and gain a new, fragile presence. This is precisely where the special tension of her art lies: the familiar suddenly appears light, open, and almost sketch-like.

Gerhard Hoehme, born in 1920 in Greppin and a central figure of German Informel, expands the canvas into space. His painting thinks not only in color and gesture but also in string, plastic tubes, collage, and drawing. Hoehme understood the image as an open field, an energetic space that extends beyond the edge. His art remains a key to understanding post-war abstraction and spatially expanded painting even today.

Between Abstraction, Body, and Space

The exhibition gathers two artistic positions that approach each other through their differences and touch upon their consequences. Culbert's textile condensations and Hoehme's spatially encompassing painting both inquire into visibility, materiality, and transformation. What happens when an object loses its original function? When does a fabric become a line, an image become an environment, and a material become a narrative?

Visitors entering the exhibition do not experience a loud gesture but a concentrated curation. The works unfold their effect in silence: in the interplay of surface and volume, drawing and object, memory and presence. This is precisely where their strength lies for art-interested visitors who are interested in art history, material aesthetics, and the development of post-war modernism in Germany.

VAN HORN as a Place for Precise Art Observation

VAN HORN in Düsseldorf is known for a program that presents international positions with a clear style. The exhibition space on Ackerstraße provides the suitable framework for an art experience that relies more on precision than on overwhelming. Here, art is not only shown but made visible in its intellectual depth.

Conclusion

Something Old, Something New, Something Borrowed is an exhibition for everyone who wants to recognize the great in detail. It demonstrates how from material, memory, and reduction, an astonishingly contemporary visual language emerges. Anyone interested in abstract painting, textile art, and the question of space in the image should definitely experience this exhibition live in Düsseldorf.