When does the exhibition take place?

The exhibition is dated October 23, 2026; according to the gallery, the show runs from September 4 to October 24, 2026.

Where can the exhibition be seen?

At VAN HORN on Ackerstraße 99 in 40233 Düsseldorf.

What are the opening hours?

Thursday and Friday from 1 PM to 6 PM and Saturday from 12 PM to 4 PM. A visit is also possible by appointment.

Is there an entry fee?

The research indicates free entry for the event.

Are there official social media channels?

No verified official social media profiles were found for this evaluation. The website is confirmed as an official channel.

Is the exhibition more classical or experimental?

It combines Informel, collage, material art, and spatial approaches and thus appears clearly experimental while also being art historically grounded.

Something Old, Something New, Something Borrowed

Name: Pip Culbert and Gerhard Hoehme: Something Old, Something New, Something Borrowed
Start: 2026-10-23T15:00:00+02:00
End: 2026-10-23T15:00:00+02:00
Location: VAN HORN

A dialogue about material, memory, and new space

With Something Old, Something New, Something Borrowed, VAN HORN in Düsseldorf presents the works of Pip Culbert and Gerhard Hoehme for the first time together. The exhibition opens on September 4, 2026, as part of DC Open and runs until October 24, 2026. The title refers to an English saying that brings together luck, memory, and new beginnings – a fitting guiding motif for an exhibition centered on existing materials, traces, and reinterpretations. ([van-horn.net](https://van-horn.net/?utm_source=openai))

Material as a mode of thought

Gerhard Hoehme is one of the early German representatives of Informel. His paintings, drawings, and installations consciously extend the image into space. Strings, plastic tubes, collage elements, and industrial materials blur the boundaries between surface, object, and environment. The works appear not closed, but open, movable, and energetic. ([zkm.de](https://zkm.de/en/persons/gerhard-hoehme))

Pip Culbert also works from the existing. Her artistic language is characterized by material shift, reduction, and structural attention. The exhibition thereby presents two positions side by side that understand the object not as an endpoint but as a starting point: fabrics, strings, colors, supports, and fragments become carriers of meaning. ([artjunk.de](https://www.artjunk.de/this-week/?utm_source=openai))

Between image, body, and atmosphere

The aesthetic experience of this juxtaposition is particularly intriguing. Hoehme's pictorial spaces open into the environment, while Culbert's works emphasize the materiality of fabric and surface. This creates an exhibition atmosphere in which the contemplation of the works is not only visually but also spatially and corporeally experienceable. It is precisely this tension between proximity and distance, order and openness, that makes the allure of the art experience. ([zkm.de](https://zkm.de/en/persons/gerhard-hoehme))

Gerhard Hoehme in the art historical context

Hoehme's significance reaches far beyond Düsseldorf. He was a co-founder of Galerie 22, a professor at the Kunstakademie Düsseldorf, and received, among other honors, the Villa Massimo Prize and the Marzotto Prize for European Painting. His works are among the key positions in post-war art in Germany and are present in important collections and exhibitions. ([zkm.de](https://zkm.de/en/persons/gerhard-hoehme))

A visit to VAN HORN

VAN HORN sees itself as a gallery-led exhibition space in Düsseldorf with a programmatic closeness to contemporary art, curation, and the international art scene. The space at Ackerstraße 99 showcases the exhibition in an environment that promotes concentrated perception. The opening hours are Thursdays and Fridays from 1 PM to 6 PM and Saturdays from 12 PM to 4 PM; additionally, visits are possible by appointment. ([van-horn.net](https://van-horn.net/about/?utm_source=openai))

The exhibition promises no loud gesture but a precise encounter with material, form, and meaning. Those interested in Informel, installation art, conceptual pictorial spaces, and the poetic power of reinterpretation will find a remarkable juxtaposition here. A visit is definitely worthwhile – for all who appreciate art as an open question and as a sensual experience. ([artjunk.de](https://www.artjunk.de/this-week/?utm_source=openai))