Something Old, Something New, Something Borrowed at VAN HORN: Experience Art and Space Anew


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When Material Becomes Memory: Pip Culbert and Gerhard Hoehme at VAN HORN
VAN HORN in Düsseldorf presents Something Old, Something New, Something Borrowed, an exhibition that sharpens the focus on material, space, and meaning. The juxtaposition of Pip Culbert and Gerhard Hoehme offers a precise art experience between sculpture, drawing, and painting.
A Dialogue About Transformation and Trace
The exhibition examines how art emerges from what is available. Culbert works with clothing, fabrics, and fragile structures, while Hoehme uses color, string, plastic, and drawing. Both artists detach the material from its original purpose and lead it into an open visual language. Thus, an exhibition atmosphere arises where reduction does not mean renunciation but rather condensation.
Between Cut, Line, and Space
Pip Culbert transforms textile covers into open frameworks. What once protected the body now appears as visible seam, line, and construction. Her works navigate between object art, drawing, and spatial installation, creating a quiet, concentrated aesthetic experience. Gerhard Hoehme, on the other hand, expands the image field beyond the frame. His works conceive the line as connection, not as boundary, and unfold spatial effects through tension, rhythm, and open composition.
An Art Historical Encounter with Great Presence
Although Pip Culbert and Gerhard Hoehme belong to different generations and contexts, they share a common attitude: art as a process of reinterpretation. The exhibition makes visible how a sensitive network of meanings emerges from fabric scraps, wires, drawings, and pigmented surfaces. This is precisely their strength for art-interested visitors who want to experience contemporary art, post-war modernity, and material-related curation in direct comparison.
VAN HORN as a Place for Precise Artwork Observation
The VAN HORN gallery implements this presentation within a framework designed for concentrated observation of the works. The space allows lines, edges, and interspaces to become effective and emphasizes the relationship between artwork and architecture. Those interested in art directions between abstraction, object art, and experimental drawing will find an exhibition with a clear profile here.
Conclusion
Something Old, Something New, Something Borrowed promises a demanding yet sensual encounter with two independent positions of modernity and contemporary art. The exhibition invites visitors to read materials anew and experience the quiet power of artistic transformation live. A visit is particularly worthwhile for those who wish to not only observe art but also experience it in space.
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