Something Old, Something New, Something Borrowed at VAN HORN in Düsseldorf


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Between Memory and Departure: an Exhibition with Silent Radiance
At VAN HORN in Düsseldorf, two artistic positions meet with Pip Culbert and Gerhard Hoehme, sharpening the view of material, space, and perception. The exhibition Something Old, Something New, Something Borrowed brings together works of both artists in a shared context for the first time, thus opening a focused art experience between abstraction, traces of everyday life, and poetic openness.
Material as Language
Pip Culbert is known for art that works with found objects, reducing textile structures, seams, and everyday items to their essence. Gerhard Hoehme, on the other hand, is considered a pioneer of European abstraction and Informel; his works are understood as open energy fields where image, object, and space intertwine. This juxtaposition creates an exhibition atmosphere that does not present itself loudly but convinces with fine tension.
Gerhard Hoehme: Open Images, Lively Spaces
Hoehme's work is historically closely tied to the expansion of the concept of the image. For him, painting does not become a closed surface but a plastic, spatially conceived constellation. His position, shaped by experimentation, materiality, and a strong presence of the processual, still possesses a radiance for contemporary artwork consideration. The gallery sets this approach in dialogue with the space and the audience, making the aesthetic experience immediately palpable.
Pip Culbert: Reduction with Great Presence
Pip Culbert also works on the boundary between drawing, object, and textile thinking. Her art gains a special intensity from reduction: what remains of the used object appears transformed, fragile, and at the same time precise. In juxtaposition to Hoehme's artistic freedom, it becomes clear how differently abstraction can be conceived, yet it activates the viewer's perception in a similar manner.
An Exhibition Concept for Exact Seeing
VAN HORN is known as a gallery in Düsseldorf for curated contemporary and art history positions, connecting international voices with a special focus on the Rhineland. The current presentation fits into this profile: it opens a space for concentration, reflection, and cultural education. Anyone interested in art history, Informel, installation, material aesthetics, and the development of the extended image space will find here an exhibition with high intellectual and sensual appeal.
Conclusion
Something Old, Something New, Something Borrowed promises a quiet, demanding art experience with a significant impact. The exhibition invites visitors to not only view abstraction but to experience it in space. A visit to Düsseldorf is worthwhile for everyone who appreciates art as knowledge and as an aesthetic experience.
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