Inge Schmidt at basedonart: Plastic Pieces and Drawings in Düsseldorf

Event: Inge Schmidt: see you then, plastic pieces and drawings in basedonart, Birkenstr. 112, 40233 Düsseldorf on 5. September 2026

Date and Time

5. September 2026 13:00

Location

Düsseldorf
40 Düsseldorf, Deutschland

About this Event

Exhibitions & Museums

Mood

Relaxed

Venue Type

Inside

Inge Schmidt at basedonart: Material, Form and Quiet Presence

With see you then, plastic pieces and drawings, basedonart in Düsseldorf places an artist at the center whose work unfolds consistently through material, form, and spatial effect. The exhibition promises a concentrated art experience between sculpture, drawing, and the fine tension between representational and abstraction.

Material as a Space for Thought

Inge Schmidt works with remarkable sensitivity to the logic of her means. Her plastic pieces and drawings do not unfold a loud gesture, but a precise, condensed exhibition atmosphere. This withdrawal creates space for the contemplation of the work: surfaces, contours, and proportions enter into a dialogue that slows down and sharpens the gaze.

Between Sculpture and Drawing

The combination of plastic works and drawings opens an art-historically exciting resonance space. Drawing here appears not just as preparation, but as an independent form of seeing. The plastic works, in turn, condense line, volume, and emptiness into objects that do not merely occupy space but structure it. Thus, an aesthetic experience is created that explores the transition between intimacy and presence.

An Exhibition with Focus and Calm

basedonart is known as an artist-run gallery in Flingern for curated positions that make cultural connections and transcultural perspectives visible. In this environment, Inge Schmidt's work receives a precise framework: no over-staging, but concentrated attention to the language of things. This is ideal for visitors who wish to explore contemporary art through form, materiality, and quiet intensity.

Visit and Atmosphere

The opening date on Saturday afternoon and the compact opening hours favor a direct, personal gallery visit. Those who engage with the exhibition experience no spectacular showmanship, but an exhibition that convinces with restraint, clarity, and formal concentration. This is precisely where its strength lies: The works invite viewers to look more closely and discover the subtle shifts between drawing, object, and space.

Conclusion: see you then, plastic pieces and drawings promises an impressive art experience for all who wish to experience sculpture and drawing in their quiet, concentrated power. A visit to basedonart is worthwhile for art enthusiasts who appreciate aesthetic precision and curatorial clarity.

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